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engraving

etching

Outside of opening hours, the workshop is open under the surveillance of monitors. Tuesday is dedicated to digital printing in large formats and to the analysis of computer graphic work. The engraving workshop is a site of exploration and exploitation of this printing process and of new techniques. It offers students the tools that enable them to produce, develop and experiment with the various engraving techniques. All engraving techniques are dealt with, covering a wide graphic range: the traditional techniques (xylography, intaglio, monotype) and related techniques (photoengraving, embossing, collagraphy, computer graphics and etching).

screen-printing

Screen-printing is a procedure of reproduction through the direct impression of all kinds of media in terms of their dimensions and content. This kind of reproduction poses the question of relationship to the image, the text, the form, and the medium. An examination of the relationship to the space and the contextualisation of the artwork are also taken into account, via questions of presentation and distribution (multiples, series and variations): publications (book, poster, sticker, tract, etc.), installations (various media, formats, assemblages, etc.) and performances. Questions regarding the choice of using this printing method and connections with an approach relating to reproduction and/or serial reproduction, as well as the artist’s own position, involvement, or even (political) commitment are also addressed.

Gravure, isdaT, photo Jean-Christian Tirat

Gravure, isdaT, photo Jean-Christian Tirat

Gravure, isdaT, photo Jean-Christian Tirat

Gravure, isdaT, photo Jean-Christian Tirat

Sérigraphie, isdaT, photo David Michael Clarke

Sérigraphie, isdaT, photo David Michael Clarke